Tuesday, January 5, 2021

Wonder Woman 1984 - 2020 ★

Hard to believe that a film that was finished filming in late 2018 and had two full years available for post-production after COVID delays looks and flows so poorly. Patty Jenkins should be ashamed for delivering a mess of a script that features so many cheesy cringe-worthy moments. Thankfully Gal Gadot and Chris Pine saved this from being a NO-STAR movie but I found their brief humorous moments few and far between in a sprawling way-too-long film that featured two forgettable villains (Wiig / Pascal). I can suspend disbelief in most comic book movies but when WW moves through the clouds swinging with her lasso attached to bolts of lightning, I'm gonna check-out mentally.

The first film was engaging and featured a good origin story for the character while this film seemed like a forced trip to the 80's to try to force feed some retro-cool. None of it worked. We had a bunch of scenes in my hometown of DC but there were so many inconsistencies, bad acting and inexcusable gaffs like keeping signs for the Silver Line on the DC Metro which only went into operation a couple years ago. The mall fight sequence near the start of the film is a sprawling joke of an action set piece and contained so many cartoony henchmen that I didn't care what happened to anyone involved.

SPOILER ALERT (although I'm probably saving you from the pain of sitting through this mess): The Lindsay Carter reveal in the post credits scene was expected and about as useless as the movie that preceded it. What a pile of crap that DC Comics delivered to us for a Christmas present. Gadot deserves better material and if they're really planning to give us a third WW movie, let's get a better screenwriter in place.

NOTE: I am way behind on several reviews/ratings and still need to see more films before compiling my Top 10 of 2020. I plan on getting to that in February most-likely.

Monday, October 5, 2020

The New Mutants, 2020 - ★½

More or less a waste of time. The scope for this film is very small and the acting so-so across the board. I've never seen Taylor-Joy deliver such a bad performance in a movie. The big baddy at the end is a bear monster?!?!? Just not a worthy addition to the X-Men franchise and another reason to let X-Men films die with Logan.

Tuesday, September 1, 2020

Tenet, 2020 - ★★★★★ (contains spoilers)

This review may contain spoilers.

I think anyone who knows me knows that Christopher Nolan is my favorite director working today and is slowly but surely trying to pass Spielberg and become my favorite director ever. I have very much enjoyed just about all of his films and his amazing 1-2-3 punch of Inception, Interstellar and Dunkirk (with Dark Knight Rises on the side) is a real accomplishment. Tenet seems to be a cousin of Inception and has a lot of Nolan's calling cards throughout. Expertly crafted while at times confusing the film focuses on the protagonist played by John David Washington who is all of a sudden a true movie star. Robert Pattinson, Elizabeth Debicki, Kenneth Branagh (bringing it 110% all movie long) and Aaron Taylor-Johnson contribute to advancing the narrative which is the real star of the film. The high concept time bending piece of the plot is a sight to behold and Nolan truly gives the audience something unique and original never before seen in film.

I can't stop thinking about this movie and want to see it again to fully understand it more. I like how a Nolan film is unlike any other movie event. He makes you think differently and each of his films is like a new unopened present to unwrap. This movie is a time bending mind twisting epic splendor that demands to be seen in theaters on the big screen and serves as the perfect catalyst for getting people back into theaters during COVID.






Honestly, through the first half of this movie I was frustrated and really thought that Nolan took a swing and missed with this film. This all changes when the team goes through the time turnstile and starts moving inverted. When I saw Washington driving forwards while the other cars moved backwards, I realized how everything I just saw is connected and that Nolan was really sending the audience back through parts of the movie. I knew that Washington would fly under the door at the Freeport and that whole fight sequence was him fighting himself. It was just jaw dropping to realize that Nolan was attempting this high wire act and the last battle just adds on top. I really didn't totally get the final sequence. The briefing wasn't making much sense.

This is one of those movies I REALLY need to watch again to fully understand some things. Watching it for the second time, I'm sure I will spot some time connections I missed earlier. This movie is certainly not perfect, but I felt the effort and lasting impression should deserve a five star rating. Christopher Nolan is the most clever person in Hollywood right now. He can do whatever he wants in my mind and I hope he never stops creating new stories and entertaining audiences. I was thoroughly entertained and so glad to be back in the theater watching a big-idea flim.

Monday, August 31, 2020

Palm Springs, 2020 - ★★★★

A clever and fun romcom that has a lot of Groundhog Day DNA. At first I thought "here we go again" with the day-repeating trick, but the premise grows on you and the shear likability of the two leads (Samberg and Milioti) make this movie work. Great soundtrack too that compliments the story. Definitely worth a watch and bonus kudos to J. K. Simmons for his supporting role that turns really dark at times.

The Way Back, 2020 - ★★★½

Totally forgot to review this movie months ago. Affleck is the nucleus of a serviceable sports film that focuses more on off court issues of battling alcohol addiction. Some of the addiction scenes seem a bit over the top and there's a lot of predictability to the arc of the basketball season but Ben is on-point and gives a great performance. I thought the divorce story-line is a bit forced and shoe-horned into the story but overall I had a good time watching Gavin O'Connor's latest sports film.

Unhinged, 2020 - ★★½

Not the best movie to come back to theaters for, but I did enjoy some of this. Crowe is batshit crazy from start to finish and larger than a whale in this film. The rest of the cast is cookie cutter with average performances throughout. I didn't really like that we got no back story on Crowe's angry vengeful maniac. There's no motivation for what he does but the director definitely lets him go wild. Not worth a viewing in theaters especially with the current reality of COVID viewing. Regardless I was entertained and happy to be back in an actual movie theater.

Monday, June 1, 2020

The Platform, 2019 - ★★★

The concept of a prison where shared food is distributed through a vertical chain of cells is interesting and will executed here. We have an on the nose representation of class structure and haves and have nots but this film falls well short when compared to more polished works like Parasite. This is one of the most vile and nauseating movies I've seen. A guy literally poops on another guy's face. The ending seems abrupt and there are so many unanswered questions. It wasn't nothing though and it's worth a watch on Netflix. I'll never think of a buffet the same way again.

Friday, May 29, 2020

The Wrong Missy, 2020 - ★★★½

At first I wanted to hate it but Lauren Lapkus grew on me as the film went on. David Spade looks very old and it was interesting to see this right after watching Tommy Boy earlier in the week. I'm not sure how much more I can take of Rob Schneider playing ridiculous over-the-top characters but I guess that's really all he can do. Definitely worth a watch on Netflix and if you're turned off by Lapkus early on just give her a shot and don't give up right away.

Onward, 2020 - ★★★★

Pixar's latest offering is not really groundbreaking but once again the story is solid and the message towards the end really meant something to me. I was not emotionally as invested as with Coco but I still go choked up at the end of this. Holland and Pratt are really good in the lead roles lending their voices to two well-developed characters. The quest to restore Dad's upper-torso is an interesting plot direction but Director Dan Scanlon does a great job of moving the story along. Kudos to Octavia Spencer for providing the right amount of comic relief. This is not one of the best Pixar films but it's an entertaining well-crafted quest-tale that contains the right amount of heart.

The Lighthouse, 2019 - ★★½

This is a another crazy film by Robert Eggers who wasted my time before with The Witch. This is not AS bad as The Witch but still a nautical mess. The story (not much of one) focuses on two lighthouse keepers played by Willem Dafoe and Robert Pattinson. They both go cuckoo-crazy over a few weeks of their shift. It's hard to understand what is real and imagined through all the visuals of mermaids and light-obsessed fancies. I enjoyed watching Dafoe talk like a pirate and Pattinson seems to be hitting full stride as a top-notch actor now. I just didn't love the black and white 4x3 aspect ratio and think Eggers is too loony for his own good.

If you want to see a movie that makes sense, skip this one.

Waves, 2019 - ★★★½

Heavy subject matter and great acting all around. I've never seen anything else that Trey Edward Shults has done but now I think I need to. Kelvin Harrison Jr. shines especially as Tyler, a troubled high school senior. His combative chemistry with the always excellent Sterling K Brown is terrific. The cast gives their all but there are some creative choices that aren't the best at times. I also didn't really enjoy the music throughout. Definitely worth a watch during quarantine.

A Hidden Life, 2019 - ★★★★½

I normally do not like Terrence Malick films. I hated A Thin Red Line and usually the plodding pacing of his narratives bores me to tears. I decided to give Malick another try earlier this month as I streamed the 4K version of A Hidden Life. Not knowing much about the plot (an Austrian farmer and devout Catholic refuses to fight for the Nazis in WWII) I jumped in with an open mind. What I witnessed over the nearly three hours of runtime was eye-opening.

Malick and his cinematographer Jorg Widmer have produced the single most beautifully shot film I've ever seen. Yes, there are better crafted films by other talented cinematographers (1917 with Roger Deakins is the most recent example), but I've never seen anything like the visuals in this movie. Malick is able to show a simple Austrian village and shoot it in true grand splendor. Rolling hills give way to vast mountainous vistas. There are some jaw-dropping "nature-porn" elements to this film that remind you of how much natural beauty there is on this planet. It's truly an example of taking a perfect filming location and letting it shine on its own. The detail of the village shown vividly in 4K is breathtaking to witness.

August Diehl plays the lead role of Franz Jagerstatter while Valerie Pachner plays his wife Franziska. Both actors give solid, realistic performances. Malick's story here is straight-forward and makes you think about the consequences of war. The contrast of the war-torn prisons that Franz is confined to are brilliantly balanced against the pristine farmland visuals.

This movie won't be for everyone but I thoroughly enjoyed it and still think about it nearly a month after I saw it. James Newton Howard provides an amazing score that lifts the visuals off the screen even further. Simply put, this is a film that MUST be seen on a large TV in 4K. I can't overstate how beautiful this movie looks.

Tuesday, April 7, 2020

Coffee & Kareem, 2020 - ★

It's funny in some sparse places, but this really comes off as a rushed film that seems to have a script that was written on the fly. A lot of over the top language that just isn't needed. I have no idea what Taraji is doing in this mess and I expect better out of Ed Helms.

Don't bother wasting 80 minutes with this.